Concerts

Concert Review: The Besnard Lakes, January 29, Lee’s Palace

Posted on by Paul in Concerts, Everything | Leave a comment

Toronto – First things first, let’s talk about clothing.  I suspected it before but I am now absolutely sure that Besnard Lakessinger/guitarist Jace Lasek only wears the same two or three black cowboy shirts over and over again.  Or he has a closet full of nearly identical shirts.  Who knows.  Oh, and while we’re on the subject of clothing, bassist Olga Goreas was dressed kind of like Wednesday Adams onstage.  And occasionally sunglasses for some reason (or perhaps as a nod to openers Suuns, she wore suunglasses).  The look kind of works for her I guess.

And now a few words on Suuns, who put on a pretty interesting show.  They were weird, experimental, noisy, dancey (oh, the bass!) and definitely pretty good.  They incorporate a wide variety of influences into their sound, and it mostly blends together pretty seamlessly.  There were a couple moments where the stylistic changes in tone and tempo from song to song were not quite as smooth, but they certainly held my attention.  I’d be interested in seeing them again.

As the Besnard Lakes took to the stage, an excerpt from (I believe) an old Carl Sagan speech played, becoming increasingly distorted as the last few words played in a loop.  It set the right mood, bringing to mind all things cosmic and spacey.  And The Besnard Lakes can get pretty spacey when they want to.  Pretty loud too.  Above all the volume, Lasek and Gorea’s vocals shone through.  One of the highlights of their set was “Disaster.”  As Lasek launched into his falsetto vocals, I overheard two separate people behind me saying, “I love this song.”  His performance was all the more impressive when he later revealed that he was actually quite sick during the show.  It wasn’t too noticeable as he seemed to be in pretty good spirits all night, although once he mentioned it, I did start to notice it a bit.  During a pause in one of their last songs,he seemed to lose his place for a second.  Then he did it again.  A few megafans up front loudly helped him to count it in.  It’s good to know that people have your back sometimes.

The Besnard Lakes – Disaster by TheAgencyGroup

Concert Review: Dinosaur Bones, White Lies, January 29th, Mod Club

Posted on by Ricky in Concerts | Leave a comment

Toronto – It’s been a few years since I last saw White Lies take the stage and since then they have released a new album (Ritual) and garnered enough fan interest to sell out the Mod Club on a frosty Saturday night. Their mission for the night was to erase the memory of their sub par show at Lee’s Palace a few years ago, where Harry McVeigh’s flu ridden voice forbade him from hitting those crucial high notes needed for some of the more dramatic parts of their songs, and as we all are aware of, White Lies discography solely consists of dramatic songs so in turn, most people left that show disappointed.

I’ll be happy to report that this time around, there was no such sickness to prevent Mr. McVeigh from hitting those notes, which resulted in anthems such as Death and Unfinished Business sounding as glorious as they should, resulting in sold out crowd clapping and pumping their fists. The downside was that aside from those two singles and perhaps a track or two from their new album – Bigger Then Us/The Power & The Glory, there weren’t really enough highs in the concert to keep the crowd going. I don’t know if the band takes itself too seriously or they have decided that stationary and mechanical was the stage persona they want to go for, but the group did not make for a very engaging live act. The lack of show on stage combined with the unbalanced nature of their songs led to a quite uneven show were there was seemingly far too much time between highs. I guess it doesn’t help that their new album Ritual sounds a lot like their first album, To Lose My Life, but only not as good. Maybe I haven’t had proper time to absorb all it’s subtleties and nuances, but to me there wasn’t track on there that immediate jumped out at you as being godblindingly awesome like Death and Unfinished Business. I guess the jury is still out on them, but if you like that post punk 80s Talking Head meets Interpol sound, then White Lies are still a pretty good bet.

Having said all that, Death and Unfinished Business are just amazing songs and probably worth the price of admission themselves. Hell even Mumford & Sons covered it.
White Lies – Death by marcuspessoa

White Lies / Unfinished Business by ShornStarMusic

Opening for White Lies was local act Dinosaur Bones who gave us a short sample of what their first ever album My Divider. They set started a lot earlier then expected (some would say 8:15) so I missed a few tunes when I arrived. What I heard was a band starting to find it’s way as an indie rock band whose tracks are atypically Canadian in that there are a lot of layers of guitars, bass, keyboard and other noise to deal with, and somehow it just comes together right when you think it was heading for chaos. While I’m not sure if they have the career redefining single in the bag (maybe it was one of the earlier songs), what is certain is that they have definitely put on a good stage game. Impeccably dressed and giving off a loose and fun vibe, I expect the band to continue to build upon earlier successes and when that hit inevitably comes, they’ll definitely be ready for it.

Dinosaur Bones – Birthright by GoldSoundz

Concert Review: Kylesa, January 22, Annex Wreck Room

Posted on by Paul in Concerts | Leave a comment

Toronto – Savannah, Georgia’s Kylesa have been around for a decade now and have acquired a faithful following during that time, but are just now beginning to garner much more attention for their brand of psychedelic sludge metal.  Their most recent album, Spiral Shadow, made it onto several best of 2010 lists (including Pitchfork, Exclaim, Decibel and my own personal list) and with good reason – it’s easily their most creative and accessible album, blending in a greater amount of melody while still maintaining a level of ferocity in their music.   

As the band set up onstage, I took note of the array of instruments onstage – two drumkits, some auxiliary drums on either side of the stage, a couple keyboards and a theremin.  This was a good sign of things to come.

Sonically, the band ran the gamut from moody, spacey psychedelic passages to full on metallic pummelling, all of it held together by the dual drumming of Carl McGinley and Tyler Newberry who definitely impressed with their intricate, interlocking rhythms.  Their drumming was occasionally augmented by singer/guitarist Philip Cope and bassist Corey Barhorst (who, according to Brent, has the look of a Kings Of Leon roadie).  Also impressive was guitarist Laura Pleasants, who displayed her virtuosity while also showing off her vocal range.  Cope kept the stage banter to a minimum, but since they had a 10 pm curfew, perhaps they wanted to fit in as much music as possible.  i can’t say that I blame them.  Usually, if I’ve listened to a very loud band for about an hour, I’ve had enough, but I dare say they left me wanting a bit more.

Symphony Preview: TSO celebrates Mozart’s birthday

Posted on by Mark in Concerts | Leave a comment

Toronto – How does one achieve immortality? Well, for starters, you could write 600 musical pieces, including 50 symphonies, over 50 concertos, and all sorts of chamber pieces and sonatas. Mozart did just that with his 35 years on planet earth. He remains one of the most influential musicians of all time.

As one of the most prolific and well recognized of classical musicians, the Toronto Symphony Orchestra commemorates his birthday every year with a Mozart festival. This year the festival is already in full swing. However, there are still shows on Jan 26th, 27th, 29th, and the 30th.

Not only that, but if you’re younger than Mozart was when he died, then you can score tickets through tsoundcheck for just $14 a pop.