Concerts

SXSW Review: Bitches, March 13, Headhunters

Posted on by Paul in South By Southwest | Leave a comment

Austin – Bitches.  It’s quite the band name; it provokes a certain sort of reaction, certainly different from what it would be had the band names themselves Flowers, or Puppies.  Singer/bassist Blake Ivinson was well aware of this, noting after one audeince member shouted “I love Bitches!” that he was compiling a tape of similar exclamations during shows to play for his mother, who he imagined would be thinking, “What are you doing with your life?”

The band played a fun sort of noise-punk that sounded pretty good, but it was Ivinson’s stage banter that truly made the show.  He had a wry, sardonic, dry sort of humour, discussing things such as how their song “Fly Away Home” was inspired by the fact that he thought the message of the Anna Paquin film of the same name was a bit silly.  He also commented on how as a kid he was good at the egg and spoon race and the three legged race (ie. he’s not terribly athletic), and mentioned how unhappy he was that the Olympics were coming to London this year, adding, “I suppose it’s a bit like SXSW…”  He did make sure to point out though, that playing rock songs is at least better than sports, but it was an astute commentary on how I’m sure many Austinites feel about the annual influx of music industry folk into their city.

Ivinson also took time near the end of their set to trash the sponsors a bit because they couldn’t put up a banner lest it block the ad banner already onstage.  “We made it ourselves, what has Pepsi ever made?” he quipped.  “I still drink it though,” added drummer Stacy Owen, who often chimed in with additional comments throughout their set.  If Ivinson ever decided to set the bass aside and branch out into stand up comedy, I’d consider checking that out as well … as long as he found a way to still keep Owen and her drumkit onstage.

Concert Review: The Darcys, Bombay Bicycle Club, March 8, 9:30 Club

Posted on by halley in Concerts | Leave a comment

The theme of the night on March 8th at the 9:30 Club was: barebones and a mile a minute. No stage ornaments. No banter. No nonsense.

In honor of the theme and the two bands I saw, I will do my best to make this blog post the same (who needs sentences when you have bullet points?):

First up: The Darcys.

Promoting: Their nitty-gritty remake of Steely Dan’s 1977 Aja
4 dudes from Toronto
Beautiful colorful skinny pants
REALLY beautiful green and red Fender guitars
Great sound effects [think doorbell chimes]
Favorite song of the night: Edmonton to Purgatory

Second Seen: Bombay Bicycle Club.

Promoting: A Different Kind of Mix (great new album)
6 English rockers [2 gingers, 1 woman]
Youngest looking band ever
Friendliest-looking lead singer ever
Drum set included recycling bin and Deer Park water jug
No transition time between songs
Loudest applause I’ve ever heard for a band
Favorite song of the night: Dust on the Ground

Concert Review: Balkan Beat Box, March 10, Chicago Metro Theater

Posted on by Vik in Concerts | Leave a comment

panic manual balkan beat box review chicago

Chicago – Chicago’s Metro Theater was literally shaking Saturday night with the sounds of tubas, saxophones, drums, accordions, cowbells, bongos, trumpets and hundreds of stomping feet as three gypsy punk inspired bands stormed the stage one after the other. The Balkan extravaganza started off with no-nonsense Black Bear Combo, a local Chicago five piece brass/reed band that started jammin’ on their instruments before all of their members had even taken their places. The band rolled out one punk rock/jazz/Eastern European inspired piece after another as the crowd started feeling the rhythms of the music – there was a particularly wonderfully mustachioed man adjacent to me who was skanking like a pro while the dude next to him was just straight up moving his hips in ways that I can’t even fathom. Not only did this band make sweet, sweet music, but as my friend pointed out, they were also all the perfect physical embodiment of their instruments, from the lanky front-man playing the sax to the more rotund gentleman on the tuba.

Palenke SoulTribe, an electro-Afro-Colombian fusion band, came out next, all in white suits and ties – indication one that I was going to like them. Indication two was that the front-man wiggled like his life depended on it, still managing to radiate charisma the entire time and with a huge smile on his face which was mirrored on everyone in the crowd. They had a video backdrop behind them, which included live video of the band and the crowd as well as an entire sequence of cartoon monkeys (during which the band donned chimp masks – if there’s ever a more appropriate time to wear a monkey mask I don’t know what it is.) Black Bear Combo definitely got the crowd moving but Palenke SoulTribe brought it to a whole new “no shame 2012 – dance your feelings” level. I came for Balkan Beat Box, and usually I’m all about the opening bands being timely and not overstaying their welcome onstage, but I was 100% behind the members of the crowd who were chanting for an encore from these guys.

Finally, Balkan Beat Box took the stage, toting instruments that weren’t even recognizable as instruments (for a good half of the show my friend and I were convinced that one of them was a torch that was going to be lit for a fire dance). Speaking of charismatic front-men, I guarantee you that Tomer Yosef is not leaving any crowd-member’s memory anytime soon. The lead singer was all over the stage, grinning infectiously and stripping clothing Eugene Hutz style throughout. The band kept up an amazing amount of energy throughout the night and they kept the energy level of the crowd up well into one in the morning. Balkan Beat Box puts on the kind of live performance where you find yourself yelling at the complete stranger next to you “this is awesome!” while they nod enthusiastically next to you yelling “I know!” as you both dance your butts off.

My advice is that you go see any of these three bands if you have the chance, and if you have the good fortune to find them all in the same location at the same time, you’re in for an epic night.

http://blackbearcombo.com/
http://www.palenkesoultribe.com/
http://balkanbeatbox.com/

Concert Review: The Twilight Sad, February 29, Lee’s Palace

Posted on by Paul in Concerts, Everything | Leave a comment

Toronto – Before attending The Twilight Sad’s recent show at Lee’s Palace, I was a bit curious as to how the material from their latest, the synth-heavy No One Can Ever Know, would translate live.  As it turns out, it translated quite well and in fact, ended up blending in pretty well with their older material.

A series of  harsh, beeping synth sounds signalled the band’s entrance, and also made me wonder whether there was an ancient computer nearby into which I should be entering the numbers  4 8 15 16 23 42.  Any such fantasies quickly dissipated as the band took to the stage.  Instead, I was immediately reminded of the fact that I had forgotten to bring any earplugs.  Yup, these guys get loud.  The band seemed pretty stoked to be playing there, with singer James Graham telling the crowd how much they appreciated us coming out and also tweeting before the show about the fact that they were playing the same venue Scott Pilgrim played.
Graham gave a typically intense performance, despite his powerful voice occasionally coming close to being drowned out by the band.  Although, come to think of it, everything sounded a bit better once i stepped back a bit from the front of the stage, so maybe it was just me.  And my lack of earplugs.

Speaking of volume, openers Odonis Odonis are also capable of making a bit of a racket.  They played a brand of arty noise punk that kind of reminded me of bygone days when I was more involved in checking out bands in the local scene.  The band recently played one of the Wavelength 12th Anniversary shows, which totally makes sense.  If Wavelength was still a regular ongoing thing, Im sure they would have played it several times already by this point.

On a side note, this show happened on the day that Davy Jones died and so, I spent my time at home before the show listening to The Monkees.  It occurred to me as I did so that The Twilight Sad could probably totally kill with a noise drenched cover of “Daydream Believer.”  Probably not likely to happen anywhere except in my head though, but damn, does it sound good in there.

The Twilight Sad and Odonis Odonis will both be playing at various times and places during SXSW in Austin.  If you’re there, check ’em out.