On the first night of their three night residency at the Silver Dollar, Japanese Breakfast put on a thoroughly entertaining show, playing various tracks from their latest, Psychopomp, along with a number of new songs from the band’s upcoming album, reportedly due out this summer and described by Michelle Zauner as a failed concept album. Of the new stuff, the best of the bunch was the closing number, a song about falling in love with a robot that featured a spoken word intro and autotune effects throughout. As sci-fi concepts go, it puts the band in the company of the likes of ELO or The Alan Parsons Project, which is a good thing in my books.

That first show was impresive enough that I ventured out a couple of days later for their final night at the Silver Dollar and while the setlist was similar, featuring favourites such as “In Heaven” and “Everybody Wants To Love You” (“This song is about oral sex. Pay attention.”) as well as the aforementioned robot love song, the band also ended their set with a version of The Cranberries’ “Dreams,” described by Zauner as “a cover for the old people.”

Earlier that night, Zauner gave a shoutout to opener Liam Betson, who she referred to as her favourite Toronto musician. “Drake is my second favourite,” she added, describing how she tries to imitate his swagger, specifically the way he calls audience members out with an “I see you.” While she claimed she wasn’t at that level yet since she gets too shy, Zauner is nevertheless an engaging, energetic frontwoman, commanding the crowds’ attention.

Though Zauner admitted that it was “a lot of pressure to play three shows in the same place,” it was clear that by the end of their three night run, the band had made a memorable impact. Mentioning how they had come through twice before as an opening act at the Horseshoe, she asked if anyone there that night had been to those shows. “Thank you for coming out again,” she said. “It’s our time to fucking shine.”

I couldn’t agree more.